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Jack Mercer made his final vinyl appearance in four fine Peter Pan original stories and Robin Williams made his feature film debut in Popeye’s year of big, splashy showbiz glitz.POPEYE THE SAILOR MAN BOOK & RECORDINGJack Mercer and CastPeter Pan Book and Record Set BR-523 (12” 33 1/3 RPM LP or Cassette / Stereo / 22 minutes)POPEYE: 4 FUN-FILLED STORIESJack Mercer and CastPeter Pan Records 1113 (12” 33 1/3 RPM LP or Cassette / Stereo / 47 minutes)Released in 1980. Executive Producer: Donald Kasen. Producer: Arthur Korb. Running Time: 47 minutes.Stories: “Popeye in the Movies,” “ Spinach on the Spanish Main,” “Gold Fever” (#1113 only), “Who’s Afraid of a U.F.O.” (#1113 only).The steamrolling impending release of Paramount and Disney’s 20 million dollar big-screen musical version of Popeye gave the sailor man and his pals what amounted to his last multi-media and merchandise blitz. As is the delightful fallout of a remake or reboot, no matter how the new enterprise nets out, fans of the original can look forward to as many iterations of their favorite character to reappear in its original form—if possible—in reissued materials and even some new products in the classic vein.The latter describes these two Peter Pan Records releases totally four stories.
All four were released on a single LP, just two of them were packaged with a comic-style book and LP. These apparently mark the last Jack Mercer performance on children’s records. AA Records (formerly Golden) reissued the excellent 1960 Popeye the Sailorman and His Friends LP on its lower budget Merry label (which we covered ) with Mercer and Mae Questel shortly after the release of the movie Unable to use the copyrighted cartoon images, the cover was illustrated with a generic tugboat (as was the case with the Popeye safety songs EP).Peter Pan released both of their previous Popeye albums (one from the early ‘70s with Mercer, another from the early ‘60s with Harry F.
Welch—subject of ). The 1980 stories, produced by the prolific Arthur Korb, sound very much like Peter Pan’s Power Records super hero and science fiction series (which were being produced at the same time) with the versatile stock company playing multiple roles. Mercer likely was working with the cast on the East coast, as he was a resident of suburban New York, making occasional visits to Hollywood to work on the Hanna-Barbera Popeye cartoons being produced for CBS.It can’t be an accident that the signature story on both new album releases is “Popeye in the Movies,” since that was indeed what the sailor man was doing in 1980.
The record’s story finds Popeye and Olive (another uncredited actor) touring a Hollywood movie studio where four movies are being filmed at once. Popeye finds the action so realistic, he can’t help saving anyone who appears to need him-ruining take after take. The other story on the book and record set is “Spinach on the Spanish Main,” a rivalry story pitting Popeye against Bluto in the Caribbean in search of treasure.The remaining two stories—not included with the book—are another Popeye and Bluto face off called “Gold Fever” that brings Wimpy into the search for riches; and the inventive “Who’s Afraid of a U.F.O.” in which a simple picnic becomes an invasion from space involving several different planets and interplanetary cousins of Popeye’s from another world. Take that, ancestry.com!
GIVE A LITTLE LISTEN“Popeye in the Movies”Besides the actors, a distinctive characteristic of Arthur Korb’s Peter Pan Records is his consistent choice of library production or “needle drop” music. If anyone hearing this lived in the Miam/Fort Lauderdale area from the ‘50s to the 80s, you might recognize one of the music cues as the theme for WTVJ’s “News at Noon.”POPEYEDeluxe EditionMusic from the Motion PictureVarese Sarabande Compact Disc #302 067 430 8 (2 Discs / Stereo / September 29, 2017)Original LP Released on Boardwalk Records SW-36880 (1980)Album Producer: Harry Nilsson. Arranger/Conductor: Van Dyke Parks. Underscore: Thomas Pierson. Recording Engineers: Doug Dillard, Ray Cooper, Harry Nilsson, Van Dyke Parks, Klaus Voormann, Phil Dunne, Bob Gravenor, Randy Honaker, Rick Riccio, Mike Hatcher. Music Contractor: Carl Fortina. Music Consultant: Lennie Niehaus.
Executive Producers for Varese Sarabande Records: Cary E. Mansfield, Jerry McCauley, Chas Ferry, Byron Davis. Executive in Charge of Music for Paramount Pictures: Randy Speedlove. Soundtrack Album Coordinator: Michael Murphy. Project Consultant: Lukas Kendall.
Liner Notes: Jerry McCulley. Mastering: Chas Ferry, Daren Chadwick, Richard Karst. Transfers: John Davis. Art Direction: Bill Pitzonka. Package Design; Rachel Gutek. Lyric Reprints & Drawings Courtesy of The Harry Nilsson Estate.
Recorded in Malta and Burbank. Running Time: 122 minutes.Performers: Robin Williams (Popeye); Shelley Duvall (Olive Oyl); Ray Walston (Poopdeck Pappy); Big John Wallace (Bluto/Singing Voice); Paul Dooley (Wimpy); Robert Fortier (Bill Barnacle); Allen F. Nichols (Roughhouse); The Toughs, Barbershop and The Steinettes, Harry Nilsson.Songs: “Sweethaven,” Blow Me Down,” “He’s Large,” “I’m Mean,” “Sailin’,” “I Yam What I Yam,” “He Needs Me,” “Swee’ Pea’s Lullaby,” “It’s Not Easy Being Me,” “Kids” by Harry Nilsson; “I’m Popeye the Sailor Man” by Sammy Lerner.Deleted Songs: “Everything is Food,” “Din’ We” by Harry Nilsson.Instrumentals: “Rough House Fight,” “March Through Town,” “The Grand Finale,” “Skeleton Cave,” “Now Listen Kid,” “To The Rescue,” “Mr.
Eye Is Trapped,” “Back Into Action,” “Saved,” “Still At It,” “The Treasure,” “What? GIVE A LITTLE LISTENPopeye End Title MedleyAs some soundtrack albums began to resemble pop albums in the ‘70s and either repositioned or omitted main and end title music, those of us who treasured these features would watch the films and wish it was otherwise. That’s why restored and extended albums like this edition of Popeye are such treasures. This is an example: the end title medley offering Thomas Pierson’s exquisite arrangements of Nilsson’s score, giving us a chance to hear it in a different dimension. A SPECIAL ANNOUNCEMENT FROM THE EDITOR OF CARTOON RESEARCHPresenting POPEYE THE SAILOR: The 1940s Vol. 1 (Warner Archive Collection) Street Date: 12/11/18.Here we go again.
To all of you who wish and hope the vaults of Warner Bros. Could reopen to allow more of the classic cartoon treasures to emerge – Now is your time. Here’s what you can do to help (Take Two).Last year I used whatever super powers I had to make a set of black and white Porky Pig cartoons available in an effort to convince to the studio there was an audience out there for such compilations. After several bumps in the road the set eventually broke even.
But “brake even” isn’t good enough for a mega corporation. Long story short – we have one more shot. Perhaps a set of color cartoons, films the collectors do not have, or never had on home video (no VHS, no previous DVD or cable broadcast). A small set – 14 cartoons perhaps.Here it is – a continuation of the Paramount Popeye cartoons. No frills, no bonus materials, no audio commentaries. Transferred from the original Technicolor negatives. Jim Tyer animation.
Politically incorrect shorts, uncut. The set will be available, separately, on both DVD and blu-ray.The website to pre-order is now up: Order the $21.99 – and/or the 19.99. I highly recommend this set – I think you will be pleased. The frame grabs below were snapped off my living room flat screen by my iPhone, off the blu-ray. If this looks good to you – I ask that you pre-order, or order it in December. Let’s prove to Warner Bros. That we want further volumes of Popeye 1940s and 1950s – and we want more Warner and MGM cartoons restored and released.
It’s seriously up to you. Majestic Mountain cliff, the logo of Paramount. Jump, but watch out for the crested stars!This Blu-ray could be a great novelty Christmas gift for my Grandma along with a personal copy with me as well, since I am a HUGE Paramount cartoon buff.You might have taken this for granted, but this first time a properly restored set of Famous Studios cartoons past the 1942-1943 season. So you’ll get some smooth animation (especially in the last few titles of Vol 1), colors popping in glorious Technicolor, and restored Paramount logos. This is fantastic news, and I’ll be checking, periodically, to seek out the proper address at which to order this thing. Can’t wait to check out the first 14 cartoons in the Paramount Studio’s color POPEYE seriesand where can I get a copy of the POPEYE movie soundtrack?
I didn’t know it was available.I guess there were aspects of the Popeye live action movie that didn’t feel right, despite the inclusion of the performers, here, who simply had to understand the original Fleischer cartoons. Then again, if you’re going for the purest version of this character, chances are you’d go with the Segar comic strip, as hard-edged as it might seem. Jack Mercer gave so much humanity to the character, as has been pointed out so many times in posts on this and other animation forums.I can’t say I am as versed in the original comic strip as I am the Fleischer or Famous cartoons, and I thought that certain steps had been taken to give the film an overall Fleischer-esque appearance. I wonder how this conflict was dealt with from day to day on the set, aside from Dustin Hoffman’s departure from the production. I wonder if film of Hoffman’s performance as Popeye actually exists. Most recorded performances of the sailor man were gruff, while, again, Mercer neatly refined it so that we can see and feel the soft spot beneath the seemingly hard exterior. Hey, even the Paramount cartoons broadly conflict with Segar’s original vision when creating the characterso where does one begin?
Well, I’ll certainly enjoy the Paramount cartoons, whenever the proper information shows itself! Thanks for the announcement of the Popeye color cartoons on Blu-ray/DVD, Jerry. But I have to say: I’m really disappointed that you shoe-horned it into one of the regular columns on Cartoon Research. Basically, you are only allowing the readers who are interested enough to click into this particular column to discover the news (as well as those who saw the teaser under the Exposure Sheet column yesterday).
An announcement like this deserves its OWN post with its OWN headline. It has a potential of interest way beyond readers who are curious about Popeye on vinyl records.One question that pops to mind: You write that there are no bonus materials, which is understandable; but since this set will also be on Blu-ray (yay!), will the cartoons be restored? Or will these be raw transfers? This announcement is “shoe-horned” into one of the regular columns because I’m giving you guys, the regular readers, first crack at the news. This project hasn’t been announced yet to the public. I was told today was the day, however, I’m actually still awaiting the official word. Heck, I could get in trouble for ‘shoe-horning’ the info here.There will be a full blog post devoted to this announcement – it will be on my news site, Animation Scoop – as soon as I’m given the go-head to do so.
I’m also waiting for the website link – so you can order.I will answer more questions about this set tomorrow when I put in a cameo appearance on Stu’s Show (I’ll pop in during the first half hour – Skype be willing) – and more so on on my full-length appearance on the show Dec. It’s good to hear that there will be a full announcement on Animation Scoop.
But please – publish the full announcement on THIS site (cartoonresearch.com) as well. Speaking for myself, I visit Cartoon Research much more often than Animation Scoop, simply because I like this site better, and its contents is more up my alley. If you hadn’t mentioned it, I wouldn’t have thought of checking Animation Scoop for the announcement; and I have to think the same is also the case for many other classic cartoon fans. In my eyes, this site is the place where an announcement about classic Hollywood cartoons on home video will have the best chance of finding its audience. I appreciate your loyalty to this blog.I will be placing a box on the right column (where the Porky 101 box is now) on each page of Cartoon Research when the film is officially announced.My policy here is one post per day.
As I have most days on Cartoon Research booked up in advance, “shoe-horning” special announcements such as this is what I will do when the news is particularly “breaking”. I would refer readers who want breaking news about my doings to check my facebook page and the Cartoon Research facebook page – as well as Animation Scoop. Well, this is good news. It’s kind of like the last Popeye piece. They began to degrade after this.
My gosh, we waited soooooooooooooo long to get the black and white Fleischers on DVD. This doesn’t feel like we’ve waited as long in comparison. I know there’s a tendency to see what we can get next, so I’ll indulge that. If there is enough response, could we finally get a complete Betty Boop compilation? Talkartoons and all? Anyway, Jerry, I’m VERY happy to get these Popeyes. Thank you for your efforts.
Doesn’t have the rights to release Betty Boop or any other cartoons from the Fleischer/Famous Studios. They only have Popeye from Paramount’s library. What we’re hoping for, if this release sells well, is that it can pave the way for more releases of the vast library of cartoons that Warner does own – from the Warner Bros. And MGM libraries. There’s a LOT of great stuff there still waiting for a proper home video release. (Of course, I’d love it it another company did a high-quality Blu-ray release of Betty Boop and Talkartoons.). The Popeye movie is maddening because it always feels like there’s a GREAT movie inches away from happening.
The talent is there, onscreen and off. It’s almost a companion to Dick Tracy, which for all the amazing visuals and performances (Dick Van Dyke as a villain!) boils down to the most beautiful programmer ever made.As for another Popeye, I’m on board. My own top priority after that is Tex Avery, although I’d definitely buy “Rock Odyssey” and a “Saturday Superstar Movie” set.
And I’m always up for live action shorts. Jerry is so right when he states it’s “up to you”. When The Cartoon Network debuted “The Popeye Show” at 1:30 am Monday morning I knew this was a ploy to let this classy show die after 13 episodes (after all Warner Brothers did not own the licensing rights to the Popeye characters). If it bombed the network would say “we told you know one watched Popeye”. I spent a lot of time (& money) to get this show promoted and into an earlier time period. Thanks to the public’s support the show did move to 9:30 pm and later 7:30 pm Sunday evenings lasting three and half seasons. The public’s voice was heard.
Let’s do it again and buy this DVD set!
'Popeye the Sailor' redirects here. Contents.Fictional character and story Popeye's story and characterization vary depending on the medium. Originally, Popeye got 'luck' from rubbing the head of the Whiffle Hen; by 1932, he was instead getting 'strength' from eating spinach.
Swee'Pea is Popeye's ward in the comic strips, but he is often depicted as belonging to in cartoons.There is no absolute sense of continuity in the stories, although certain plot and presentation elements remain mostly constant, including purposeful contradictions in Popeye's capabilities. Popeye seems bereft of manners and uneducated, yet he often comes up with solutions to problems that seem insurmountable to the police or the scientific community. He has displayed -like investigative prowess, scientific ingenuity, and successful diplomatic arguments. In the animated cartoons his pipe also proves to be highly versatile. Among other things, it has served as a cutting torch, jet engine, propeller, periscope, musical instrument, and a whistle with which he produces his trademark toot. He also eats spinach through his pipe, sometimes sucking in the can along with the contents.
Since the 1970s, Popeye is seldom depicted using his pipe to smoke tobacco.Popeye's exploits are also enhanced by a few recurring plot elements. One is the love triangle among Popeye, Olive, and, and Bluto's endless machinations to claim Olive at Popeye's expense. Another is his near-saintly perseverance in overcoming any obstacle to please Olive, who often renounces Popeye for Bluto.Thimble Theatre and Popeye comic strips. This section needs additional citations for. Unsourced material may be challenged and removed.Find sources: – ( January 2015) Thimble Theatre was cartoonist Segar's third published strip when it first appeared in the on December 19, 1919.
The paper's owner also owned, which syndicated the strip. Thimble Theatre was intended as a replacement for Midget Movies by (Wheelan having recently resigned from King Features). It did not attract a large audience at first, and at the end of its first decade appeared in only half a dozen newspapers.In its early years, the strip featured characters acting out various stories and scenarios in style (hence the strip's name). It could be classified as a comic in those days.Thimble Theatre's first main characters were the thin Olive Oyl and her boyfriend. After the strip moved away from its initial focus, it settled into a comedy- style featuring Olive, Hamgravy, and Olive's enterprising brother. Olive's parents Cole and Nana Oyl also made frequent appearances.Popeye first appeared in the strip on January 17, 1929 as a minor character. He was initially hired by Castor Oyl and Ham to crew a ship for a voyage to Dice Island, the location of a casino owned by the crooked gambler Fadewell.
Castor intended to break the bank at the casino using the unbeatable good luck conferred by stroking the hairs on the head of Bernice the Whiffle Hen. Weeks later, on the trip back, Popeye was shot many times by Jack Snork, a stooge of Fadewell's, but survived by rubbing Bernice's head. After the adventure, Popeye left the strip but, due to reader reaction, he was quickly brought back.The Popeye character became so popular that he was given a larger role, and the strip was taken up by many more newspapers as a result. Initial strips presented Olive as being less than impressed with Popeye, but she eventually left Hamgravy to become Popeye's girlfriend and Hamgravy left the strip as a regular. Over the years, however, she has often displayed a fickle attitude towards the sailor.
Castor Oyl continued to come up with get-rich-quick schemes and enlisted Popeye in his misadventures. Eventually, he settled down as a and later on bought a ranch out West.
Castor has seldom appeared in recent years.In 1933, Popeye received a foundling baby in the mail, whom he adopted and named. Other regular characters in the strip were, a -loving moocher who would 'gladly pay you Tuesday for a hamburger today' (he was also soft-spoken and cowardly; bombers were nicknamed 'Wimpys' after the character);, a local who spoke in a heavily affected accent and habitually attempted to murder or wish death upon Wimpy; and, a yellow, vaguely dog-like animal from Africa with powers. In addition, the strip featured the, a terrible, as well as the last on Earth — her even more terrible sister excepted;, a monstrous creature who entered the strip as the Sea Hag's henchwoman and continued as Swee'Pea's; and Toar, a caveman.Segar's strip was quite different from the cartoons that followed. The stories were more complex, with many characters that never appeared in the cartoons (King Blozo, for example). Spinach usage was rare and made only one appearance.
Segar signed some of his early Popeye comic strips with a, due to his last name being a of 'cigar' (pronounced SEE-gar). Comics historian Brian Walker stated: 'Segar offered up a masterful blend of comedy, fantasy, satire and suspense in Thimble Theater Starring Popeye.Thimble Theatre became one of King Features' most popular strips during the 1930s. A poll of adult comic strip readers in the April 1937 issue of magazine voted Popeye their second-favorite comic strip (after ). By 1938, Thimble Theatre was running in 500 newspapers, and over 600 licensed 'Popeye' products were on sale. The success of the strip meant Segar was earning $100,000 a year at the time of his death. Following an eventual name change to Popeye in the 1970s, the comic remains one of the longest running strips in syndication today.
After Mussolini came to power in Italy, he banned all American comic strips, but Popeye was so popular the Italians made him bring it back. The strip continued after Segar's death in 1938; a series of artists performed the work. In the 1950s, a spinoff strip Popeye the Sailorman was established.Artists after Segar. Tom Sims and Bill Zaboly's Thimble Theatre (December 2, 1951)After Segar's death in 1938, many different artists were hired to draw the strip., the son of a channel-boat captain, continued writing Thimble Theatre strips and established the Popeye the Sailorman spin-off. And, successively, handled the artwork during Sims's run.
Eventually, Ralph Stein stepped in to write the strip until the series was taken over by in 1959.Sagendorf wrote and drew the daily strip until 1986, and continued to write and draw the until his death in 1994. Sagendorf, who had been Segar's assistant, made a definite effort to retain much of Segar's classic style, although his art is instantly discernible. Sagendorf continued to use many obscure characters from the Segar years, especially O.G. Wotasnozzle and King Blozo.
Sagendorf's new characters, such as the Thung, also had a very Segar-like quality. What set Sagendorf apart from Segar more than anything else was his sense of pacing. Where plotlines moved very quickly with Segar, it sometimes took an entire week of Sagendorf's daily strips for the plot to be advanced even a small amount.From 1986 to 1992, the daily strip was written and drawn by, who, after some controversy, was fired from the strip for a story that could be taken to satirize.
London's strips put Popeye and his friends in updated situations, but kept the spirit of Segar's original. One classic storyline, titled 'The Return of Bluto', showed the sailor battling every version of the bearded bully from the comic strip, comic books, and animated films. The Sunday edition of the comic strip is currently drawn by, who took over in 1994. The daily strip began featuring reruns of Sagendorf's strips after London was fired and continues to do so today.On January 1, 2009, 70 years since the death of his creator, Segar's character of Popeye (though not the various films, TV shows, and other media based on him) became in most countries, but remains under in the US. Because Segar was an employee of King Features Syndicate when he created the Popeye character for the company's Thimble Theatre strip, Popeye is treated as a under US copyright law. Works for hire are protected for 95 years from publication or 120 years from creation, whichever is shorter.
Since Popeye made his first appearance in January 1929, and all US copyrights expire on December 31 of the year that the term ends, Popeye will enter the public domain in the US on January 1, 2025, assuming no amendments to US copyright law before that date. Reprints. Popeye the Sailor, 1971, reprints three daily stories from 1936. Thimble Theatre, 1977, reprints daily from September 10, 1928, missing 11 dailies which are included in the Fantagraphics reprints. Popeye: The First Fifty Years by, 1979, the only Popeye reprint in full color.
The Complete E. Segar Popeye, 1980s, reprints all Segar Sundays featuring Popeye in four volumes, all Segar dailies featuring Popeye in seven volumes, missing four dailies which are included in the Hyperion reprint, November 20–22, 1928, August 22, 1929. Popeye: The 60th Anniversary Collection, 1989, featuring reprints, a selection of strips, and stories from the first newspaper strip in 1929 onwards, along with articles on Popeye in comics, books, collectables, etc. E. Segar's Popeye, between 2006 and 2011, published six oversized hardcover volumes, reprinting all dailies and Sundays (in color, along with Sappo) featuring Popeye, plus various extras.
Vol. 1: I Yam What I Yam – covers 1928–30 (November 22, 2006, ). Vol. 2: Well Blow Me Down! – covers 1930–32 (December 19, 2007, ).
Vol. 3: Let's You and Him Fight! – covers 1932–33 (November 15, 2008, ). Vol. 4: Plunder Island – covers 1933–35 (December 22, 2009, ). Vol.
5: Wha's a Jeep – covers 1935–37 (March 21, 2011, ). Vol. 6: Me Li'l Swee'Pea – covers 1937–38 (November 15, 2011, )Comic books. 's cover of Popeye #50 (Oct.–Dec.
1959) shows Popeye with his, single good eye and girlfriend.There have been a number of Popeye comic books, from, and others, originally written and illustrated. In the Dell comics, Popeye became something of a crimefighter, thwarting evil organizations and Bluto's criminal activities. The new villains included the numerous Misermite dwarfs, who were all identical.Popeye appeared in the British ' series, a News of the World publication, becoming the cover story in 1960 with stories written and drawn by 'Chick' Henderson. Bluto was referred to as Brutus and was Popeye's only nemesis throughout the entire run.A variety of artists have created Popeye comic book stories since then; for example, drew Popeye stories for Charlton Comics from 1969 until the late 1970s. The Gold Key series was illustrated by Wildman and scripted by, with some issues written by.In 1988, Ocean Comics released the Popeye Special written by with art. The story presented Popeye's origin story, including his given name of 'Ugly Kidd' and attempted to tell more of a lighthearted adventure story as opposed to using typical comic strip style humor.
The story also featured a more realistic art style and was edited by Bill Pearson, who also lettered and inked the story as well as the front cover. A second issue, by the same creative team, followed in 1988. The second issue introduced the idea that Bluto and Brutus were actually twin brothers and not the same person, an idea also used in the comic strip on December 28, 2008 and April 5, 2009. In 1999, to celebrate Popeye's 70th anniversary, Ocean Comics revisited the franchise with a one-shot comic book, titled The Wedding of Popeye and Olive Oyl, written. The comic book brought together a large portion of the casts of both the comic strip and the animated shorts, and Popeye and Olive Oyl were finally wed after decades of courtship. However, this marriage has not been reflected in all media since the comic was published.In 1989, a special series of short Popeye comic books were included in specially marked boxes of, and Popeye also appeared in three TV commercials for, which featured a parrot delivering the tag line 'Popeye wants a Quaker!' The plots were similar to those of the films: Popeye loses either Olive Oyl or Swee'Pea to a musclebound antagonist, eats something invigorating, and proceeds to save the day.
In this case, however, the invigorating elixir was not his usual spinach, but rather one of four flavors of Quaker Oatmeal (a different flavor was showcased with each mini-comic). The comics ended with the sailor saying, 'I'm Popeye the Quaker Man!' , which offended members of the. Members of this religious group (which has no connection to the cereal company) are pacifists and do not believe in using to resolve conflicts.
For Popeye to call himself a 'Quaker man' after beating up someone was offensive to the Quakers and considered a misrepresentation of their and religious beliefs. In addition, the submissiveness of Olive Oyl went against the Quakers' emphasis on women's rights.
The Quaker Oatmeal company apologized and removed the 'Popeye the Quaker Man' reference from commercials and future comic book printings.In 2012, writer teamed with cartoonists, Ken Wheaton, and Tom Neely (among others) to revive the spirit of Segar in IDW's 12-issue comic book miniseries, Popeye, Critic PS Hayes reviewed:Langridge writes a story with a lot of dialogue (compared to your average comic book) and it's all necessary, funny, and entertaining. Bruce Ozella draws the perfect Popeye. Not only Popeye, but Popeye's whole world. Everything looks like it should, cartoony and goofy. Plus, he brings an unusual amount of detail to something that doesn't really need it. You'll swear that you're looking at an old Whitman Comics issue of Popeye, only it's better.
Ozella is a great storyteller and even though the issue is jam packed with dialog, the panels never look cramped at all.In late 2012, IDW began reprinting the original 1940s–1950s Sagendorf Popeye comic books under the title of Classic Popeye.Webcomics In January 2019, in celebration of its 90 years of character, King Feature Syndicate launched the Popeye's Cartoon Club produced by, Tom Neely, Larry deSouza, Jim Engel, Jay Fosgitt. Theatrical animated cartoons. In November 1932, King Features signed an agreement with to have Popeye and the other Thimble Theatre characters begin appearing in a series of animated cartoons. The first cartoon in the series was released in 1933, and Popeye cartoons, released by, remained a staple of Paramount's release schedule for nearly 25 years.
Was the original voice of Popeye, a voice that was replicated by later performers, such as and even. Many of the Thimble Theatre characters, including Wimpy, Poopdeck Pappy, and Eugene the Jeep, eventually made appearances in the Paramount cartoons, though appearances by Olive Oyl's extended family and Ham Gravy were notably absent. Thanks to the animated-short series, Popeye became even more of a sensation than he had been in comic strips, and by 1938, polls showed that the sailor was Hollywood's most popular cartoon character.Although Segar may have used spinach as a prop a few times, it was Max Fleischer who realized its potential as a trademark. In every Popeye cartoon, the sailor is invariably put into what seems like a hopeless situation, upon which (usually after a beating), a can of spinach becomes available, and Popeye quickly opens the can and consumes its contents. Upon swallowing the spinach, Popeye's physical strength immediately becomes superhuman, and he is easily able to save the day, and very often rescue Olive Oyl from a dire situation. It did not stop there, as spinach could also give Popeye the skills and powers he needed, as in, where it gave him acrobatic skills.
In May 1942, Paramount Pictures assumed ownership of Fleischer Studios, fired the Fleischers and began reorganizing the studio, which they renamed. The early Famous-era shorts were often World War II-themed, featuring Popeye fighting and soldiers, most notably the 1942 short. In late 1943, the Popeye series was moved to Technicolor production, beginning with Her Honor the Mare. Famous/Paramount continued producing the Popeye series until 1957, with being the last of the 125 Famous shorts in the series. Paramount then sold the Popeye film catalog to, which was bought out by in 1958. Through various mergers, the rights are currently controlled by 's.In 2001, under the supervision of animation historian, created a new incarnation of.
The show aired the Fleischer and Famous Studios Popeye shorts in versions approximating their original theatrical releases by editing copies of the original opening and closing credits (taken or recreated from various sources) onto the beginnings and ends of each cartoon, or in some cases, in their complete, uncut original theatrical versions direct from such prints that originally contained the front-and-end Paramount credits. The series aired 135 Popeye shorts over 45 episodes, until March 2004. The Popeye Show continued to air on Cartoon Network's spin-off network.While many of the Paramount Popeye cartoons remained unavailable on video, a handful of those cartoons had fallen into and were found on numerous low budget VHS tapes and later DVDs. When Turner Entertainment acquired the cartoons in 1986, a long and laborious legal struggle with King Features kept the majority of the original Popeye shorts from official video releases for more than 20 years. King Features instead opted to release a DVD boxed set of the 1960s made-for-television cartoons, to which it retained the rights, in 2004. In the meantime, home video rights to the Associated Artists Productions library were transferred from to in 1986, and eventually to in 1999.
In 2006, Warner Home Video announced it would release all of the Popeye cartoons produced for theatrical release between 1933 and 1957 on DVD, restored and uncut. Three volumes were released between 2007 and 2008, covering all of the black-and-white cartoons produced from 1933 to 1943. In December 2018, a fourth volume featuring the first 14 color shorts from 1943 to 1945 was released on DVD and from Warner Home Video through the.Original television cartoons In 1960, King Features Syndicate commissioned a new series of cartoons titled, but this time for television syndication.
Served as executive producer of the cartoons for King Features., and returned for this series, which was produced by a number of companies, including, ( and ), (formerly Famous Studios), and (formerly ). The artwork was streamlined and simplified for the television budgets, and 220 cartoons were produced in only two years, with the first set of them premiering in the autumn of 1960, and the last of them debuting during the 1961–1962 television season. Since King Features had exclusive rights to these Popeye cartoons, 85 of them were released on DVD as a 75th anniversary Popeye boxed set in 2004.For these cartoons, Bluto's name was changed to 'Brutus', as King Features believed at the time that Paramount owned the rights to the name 'Bluto'. Many of the cartoons made by Paramount used plots and storylines taken directly from the comic strip sequences – as well as characters like King Blozo and the Sea Hag. The 1960s cartoons have been issued on both VHS and DVD.Popeye, Olive Oyl, Swee'Pea and Wimpy were featured prominently in the cartoon movie ', which debuted on October 7, 1972 as one of the episodes of. In this cartoon, Brutus also appears as a turban-wearing employee of the nemesis, Dr.
Morbid Grimsby.On September 9, 1978, debuted on the Saturday morning lineup. It was an hour-long animated series produced by, which tried its best to retain the style of the original comic strip (Popeye returned to his original costume and Brutus to his original name of Bluto), while complying with the prevailing content restrictions on violence. In addition to providing many of the cartoon scripts, Mercer continued to voice Popeye, while and became the new voices of Olive Oyl and Bluto, respectively (Mae Questel actually auditioned for Hanna-Barbera to recreate Olive Oyl, but was rejected in favor of Schreffler). The All New Popeye Hour ran on CBS until September 1981, when it was cut to a half-hour and retitled The Popeye and Olive Show.
It was removed from the CBS lineup in September 1983, the year before Jack Mercer's death. These cartoons have also been released on VHS and DVD. During the time these cartoons were in production, CBS aired The Popeye Valentine's Day Special – Sweethearts at Sea on February 14, 1979. In the UK, the BBC aired a half-hour version of The All New Popeye Show, from the early-1980s to 2004.Popeye briefly returned to CBS in 1987 for, another series, which featured Popeye and Olive as a married couple with a son named Popeye Jr., who hates the taste of spinach, but eats it to boost his strength. Performed Popeye's voice; Mercer had died in 1984. The show lasted for one season. Popeye as he appeared inIn 2004, produced a television special, which was made to coincide with the 75th anniversary of Popeye.
Performed the voice of Popeye, describing the production as 'the hardest job I ever did, ever' and the voice of Popeye as 'like a buzzsaw on your throat'. The uncut version was released on DVD on November 9, 2004; and was aired in a re-edited version on on December 17, 2004 and again on December 30, 2005. Its style was influenced by the 1930s Fleischer cartoons, and featured Swee'Pea, Wimpy, Bluto (who is Popeye's friend in this version), Olive Oyl, Poopdeck Pappy and the Sea Hag as its characters. Main article:Director used the character in, a 1980 live-action musical feature film, starring as Popeye (his first starring movie role), as Olive Oyl, and as Bluto, with songs.
The script was by, who adapted the 1971 book of 1936 strips for his screenplay, thus retaining many of the characters created by Segar. A co-production of and, the movie was filmed almost entirely on, in the village of on the northwest coast of the island. The set is now a tourist attraction called. The US box office earnings were double the film's budget, making it a success.Upcoming animated film In March 2010, it was reported that is developing a computer-animated Popeye film, with producing it.
In November 2011, Sony Pictures Animation announced that Jay Scherick and David Ronn, the writers of, are writing the screenplay for the film. In June 2012, it was reported that had been set to direct the feature, which he planned to make 'as artful and unrealistic as possible.' In November 2012, Sony Pictures Animation set the release date for September 26, 2014, which was, in May 2013, pushed back to 2015. In March 2014, Sony Pictures Animation updated its slate, scheduling the film for 2016, and announcing Tartakovsky as the director of, which he was directing concurrently with Popeye. On September 18, 2014, Tartakovsky revealed an 'animation test' footage, about which he said, 'It's just something that kind of represents what we want to do. I couldn't be more excited by how it turned out.'
In March 2015, Tartakovsky announced that despite the well-received test footage, he was no longer working on the project, and would instead direct Can You Imagine?, which is based on his own original idea. Nevertheless, Sony Pictures Animation stated the project still remains in active development. In January 2016, it was announced that T.J. Fixman would write the film. Video and pinball games. created a widescreen called Popeye in 1981.
The featured Popeye on a boat, and the aim was to catch, and spinach cans thrown by Olive Oyl while trying to avoid Bluto's boat. If Bluto hit Popeye on the head with his or Popeye failed to catch an object three times, the game would end. The Nintendo arcade game was originally conceived as a Popeye video game. However, due to licensing disagreements with King Features, this idea was scrapped. When Donkey Kong went on to enormous success, King Features agreed to license the characters to Nintendo to create a in 1982. It was later ported to the as well as various:, Atari 8-bit family,.
The goal was to avoid Bluto (referred to as 'Brutus') and the Sea Hag while collecting items produced by Olive Oyl such as, or the in the word 'help' (depending on the level). Hitting a can of spinach gave Popeye a brief chance to strike back at Brutus. Other characters such as Wimpy and Swee' Pea appeared in the game, but did not greatly affect gameplay. A based on the video game was released by. A table top Game & Watch style game was also released by Nintendo in 1983, which featured Popeye trying to rescue Olive while engaging in fisticuffs with Bluto. Nintendo created another Popeye game for the Famicom, in 1983. This was an educational game designed to teach Japanese children English words.
A different Popeye game was developed for the by and first released by in 1985. The game achieved critical success due to its huge, colourful sprites; amongst the largest seen on the Spectrum platform.
This distinct graphical style was due to King Features' insistence that any game had to include fair representations of the central cartoon characters. The game was ported to and in 1986. After releasing the budget version of this game, developed another two licensed games, Popeye 2 (1991) and Popeye 3: Wrestle Crazy (1992) on the same platforms.
Two Popeye games published by were spawned for the. The first Game Boy game, which was released exclusively in Japan in 1990, and in 1991.
Popeye 2 was also released in North America (1993) and Europe (1994) by. In 1994, released for the, and Popeye: Volume of the Malicious Witch Seahag ( ) for the Japanese. A side scrolling adventure game that was mixed with a board game, the game never saw US release.
It featured many characters from the Thimble Theatre series as well. In the game, Popeye had to recover hearts scattered across the level to restore his frozen friends as part of a spell cast upon them by the Sea Hag in order to get revenge on Popeye. (under the label) released, a game, in 1994.
In 2003, Nova Productions released a strength tester called Popeye Strength Tester. In 2005, released a video game called.
Released June 2007, the video game featured that played full-length films and television shows that had expired copyrights. Most of the cartoons viewable on the 'Toon TV' channel are Famous Studios Popeye shorts. In fall 2007, Namco Networks released the original Nintendo Popeye arcade game for mobile phones with new features including enhanced graphics and new levels.Parodies.
A parody of Popeye, by the name of Captain Strong who gets his powers from hallucinogenic alien seaweed, makes his appearance in the limited series Harley Quinn.Marketing, tie-ins, and endorsements From early on, Popeye was heavily merchandised. Everything from soap to to spinach was available with Popeye's likeness on it. Most of these items are rare and sought-after by collectors, but some merchandise is still being produced.Games and toys. makes classic-style Popeye in two sizes.
KellyToys produces plush Popeye characters.Restaurants. (a.k.a. Popeyes Chicken & Biscuits), a chain, is not named after Popeye the Sailor, but after the character from the film (1971), who was in turn named after real, who was called 'Pop Eye' because of his keen observational skills.
The restaurant chain later obtained a license for use of the cartoon character and advertise the name as Popeye's after Popeye the Sailor, causing some confusion as to the source of the name. Popeyes Louisiana Kitchen locations in make extensive use of Popeye the Sailor and associated characters. Wimpy's name was borrowed for the restaurant chain, one of the first international fast food restaurants featuring hamburgers, which they call 'Wimpy Burgers'.Retail foods and beverages.
Popeye O Marinheiro 2008 Dvdr For Sale
produces its own line of spinach, called 'Popeye Spinach', in various canned varieties. The cartoon Popeye serves as the on the can. In 1961, Buitoni Pasta marketed Popeye-shaped spinach. Popeye appeared in a 1979 commercial during the 'Be a Pepper' campaign (possibly as a, going so far as to modify his traditional to 'I'm Popeye the Pepper-man').
Since 1989, 'Popeye's Supplements' has been a chain of Canadian Sports Nutrition Stores. In 1989, Popeye endorsed Instant Quaker Oatmeal, citing it as a better food than spinach to provide strength. The commercials had the tagline 'Can the spinach, I wants me Quaker Oatmeal!' The (also known as the Quakers) was offended by the promotion given the physical aggression from 'Popeye the Quaker man' and also the excessive submissiveness of Olive Oyl. In 2001, Popeye (along with Bluto, Olive, and twin Wimpys) appeared in a television commercial for. The commercial, produced by, showed Popeye and Bluto as friends (and neglecting Olive Oyl) due to their having had Minute Maid Orange Juice that morning. The ad agency's intention was to show that even the notable enemies would be in a good mood after their juice, but some, including Robert Knight of the Culture and Family Institute, felt the commercial's intent was to portray the pair in a homosexual romantic relationship; even so, it is a suggestion that Minute Maid denies.
Knight was interviewed by on 's about this issue. World Candies Inc. Produced Popeye-branded ', which were small sugar sticks with red dye at the end to simulate a flame. They were sold in a small box, similar to a cigarette pack. The company still produces the item, but has since changed the name to 'Popeye Candy Sticks' and has ceased putting the red dye at the end. In 2013, McLean Design produced a packaging design using licensed characters and artwork for a Popeye branded energy drink. The drink is launching in the US with two flavors.Sports.
Starting in 1940, Popeye became the mascot of (Rio de Janeiro – Brazil), the most popular soccer team with almost 50 million fans around the world. The mascot of the soccer club is currently a cartoon vulture. Propaganda poster Other.
In 1979, salsa singer releases Adalberto Santiago Featuring Popeye El Marino. Fania Records JM 536. During the 1960s, Popeye appeared in advertising for. In 1987, Stabur Graphics commissioned artist to paint 'Popeye's Wedding' as oil on masonite. Released was a stamped, numbered and signed Limited Edition lithograph, edition size of 395.
The lithograph shows Popeye and Olive Oyl in front of the preacher (Popeye slipping a lifesaver-ring onto Olive's finger) along with Nana Oyl, Alice the Goon, Swee'Pea (cradled in Popeye's free arm), Wimpy, Granny, Eugene the Jeep and Brutus (holding a large cauldron of steaming, cooked rice). Twenty-one other characters watch from the pews. The litho is titled 'Wit Dis Lifesaver, I Dee Wed!' And is pictured on page 83 of the book 'Chicken Fat' by Will Elder (Fantagraphics, 2006). In 1990, Popeye appeared in an advertisement warning of the harmful effects of coastal pollution.
Bluto is laughing as he carelessly dumps garbage over the side of his boat, to which Olive reacts in horror as and other sea creatures are caught in. Popeye punches out Bluto and cleans up his garbage; however, when some more plastic garbage sails by Popeye's boat, he says unsurprisingly, 'I can't do it all meself, you know!'
. In 1995, the Popeye comic strip was one of 20 included in the series of commemorative U.S.
Postage stamps. From 1996 to 1999, the theme park in Western New York operated a 'Popeye's Seaport' in the park. It was rebranded as ' Seaport' after Darien Lake came under the banner. In the film (1997), John Vriess (Dominique Pinion) whistles the Popeye theme song. In 2006, King Features Syndicate produced a radio spot and an industrial for the featuring as Olive and as Popeye.
In October 2007, to coincide with the launch of the Popeye mobile game, Networks and launched a Popeye the Sailorman sweepstakes offering the authorized edition four-disc Popeye the Sailor: 1933–1938 Vol. 1 DVD set as grand prize. In 's, there is a river rafting water ride, themed after Popeye the Sailor saving Olive Oyl from Bluto.Cultural origins and impact Local folklore in Chester, Illinois, Segar's hometown, claims that Frank 'Rocky' Fiegel (b. In Chester, IL, January 27, 1868) was the real-life inspiration for the character Popeye. He had a prominent chin, sinewy physique, characteristic pipe, and a propensity and agile skill for fist-fighting.
Fiegel died on March 24, 1947 never having married. His gravestone has the image of Popeye engraved on it. The town of Chester erected a statue of Popeye in Segar's honor in 1977 and began the Popeye & Friends Character Trail in 2006, adding a new Segar character to the trail each year.
According to Popeye historian Michael Brooks, Segar regularly sent money to Fiegel.Separate hometown residents of Chester also are claimed to have served as inspiration for two other Segar characters including Dora Paskel, an uncommonly tall, angular lady who ran a general store in town. She even donned a hair bun close to her neckline. William 'Windy Bill' Schuchert, a rather rotund man who owned the local opera house, was the seed for the character J. Wellington Wimpy. He even sent out his employees to purchase hamburgers for him between performances at a local tavern named Wiebusch's, the same tavern that Fiegel frequented and where he engaged in fistfights.Conjecture presented in Jim Harris' book highlighting the Santa Monica Pier raised the idea that while living in Santa Monica, Segar may have based some of Popeye's language on a local sailor; even though Harris never made a definitive claim. Cultural influences. Museo del AireCulturally, many consider Popeye a precursor to the who eventually dominated US.Such has been Popeye's cultural impact that the medical profession sometimes refers to the bulge of a rupture as the 'Popeye muscle.'
Note, however, that under normal (uninfluenced by spinach) conditions, Popeye has pronounced muscles of the, not of the biceps.In 1973, created, a takeoff of Popeye, for, as a way of having two cultural icons – and (a proxy of) Popeye – meet.The 1981 videogame, which introduced and Nintendo's unofficial company mascot to the world, was originally planned to be a Popeye game. Mario (then known as Jumpman) was originally supposed to be Popeye, Donkey Kong was originally, and the character Pauline was originally, but when Nintendo was unable to acquire the rights to use the actual franchise characters, it decided to create original characters instead.The 1988 Walt Disney/Touchstone Pictures film featured many classic cartoon characters, and the absence of Popeye was noted by some critics. Popeye (along with Bluto and Olive Oyl) actually had a cameo role planned for the film.
However, since the Popeye cartoons were based on a comic strip, Disney found they had to pay licensing fees to both King Features Syndicate and MGM/UA. MGM/UA's pre-May 1986 library (which included Popeye) was being purchased by Turner Entertainment at the time, which created legal complications; thus, the rights could not be obtained and Popeye's cameo was dropped from the film. The Popeye Dance The Popeye was a popular dance in the era of the late 1950s and early 1960s. Originating in around 1962, the Popeye was performed by shuffling and moving one's arms, placing one arm behind and one arm in front and alternating them, going through the motion of raising a pipe up to the mouth, and alternate sliding or pushing one foot back in the manner of ice skating, similar to motions exhibited by the cartoon character. According to music historian Robert Pruter, the Popeye was even more popular than in New Orleans. The dance was associated with and/or referenced to in several songs, including 's 'Check Mr. Popeye,' 's 'Something You Got' and ',' 's 'You Talk Too Much,' 's 'Popeye Joe,' 's 'Popeye,' and 's 'Any Way You Wanta.'
A compilation of 23 Popeye dance songs was released in 1996 under the title 'New Orleans Popeye Party.' Spinach Initially Popeye's chief superhuman characteristic was his indestructibility, rather than super strength, which was attributed to his having rubbed the head of Bernice the Whiffle Hen numerous times after being shot. Popeye later attributed his strength to spinach. The popularity of Popeye helped boost sales. Using Popeye as a role model for healthier eating may work; a 2010 study revealed that children increased their vegetable consumption after watching Popeye cartoons. The spinach-growing community of, erected a of the character in recognition of Popeye's positive effects on the spinach industry. There is another Popeye statue in Segar's hometown, and statues in and (which claims to be 'The Spinach Capital of the World'), at canning plants of, which markets Popeye-branded canned spinach.
In addition to Allen Canning's Popeye spinach, Popeye Fresh Foods markets bagged, fresh spinach with Popeye characters on the package. In 2006, when spinach contaminated with was, many editorial cartoonists lampooned the affair by featuring Popeye in their cartoons.A frequently circulated story claims that Fleischer's choice of spinach to give Popeye strength was based on faulty calculations of its iron content. In the story, a scientist misplaced a decimal point in an 1870 measurement of spinach's iron content, leading to an iron value ten times higher than it should have been. This faulty measurement was not noticed until the 1930s.While this story has been in circulation for a long time, a 2012 study showed that this is a myth. Word coinages The strip is also responsible for popularizing, although not inventing, the word ' (meaning a thug or lackey); goons in Popeye's world were large humanoids with indistinctly drawn faces that were particularly known for being used as muscle and slave labor by Popeye's nemesis, the. One particular goon, the aforementioned female named Alice, was an occasional recurring character in the animated shorts, but she was usually a fairly nice character.Eugene the Jeep was introduced in the comic strip on March 13, 1936. Two years later the term 'jeep wagons' was in use, later shortened to simply ' with widespread World War II usage and then trademarked by as 'Jeep'.
Events and honors The Popeye Picnic is held every year in on the weekend after. Popeye fans attend from across the globe, including a visit by a from South Korea in 2004. The one-eyed sailor's hometown strives to entertain devotees of all ages.In honor of Popeye's 75th anniversary, the illuminated its notable tower lights green the weekend of January 16–18, 2004 as a tribute to the icon's love of spinach. This special lighting marked the only time the Empire State Building ever celebrated the anniversary/birthday of a comic strip character.
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Popeye O Marinheiro 2008 Dvdr Dvd
McFarland, 2004.External links.